Wallmonkeys Peel and Stick Wall Decals - Business Man Choking Himself with Tie - 24"W x 16"H Removable Graphic

• ALL orders CUSTOM printed. When you place an order, the image is made in the USA, just for you!
• Printed on WHITE, premium, self-adhesive, re-positionable fabric paper.
• No nails, frames or glue. No professional installation required.
• Simply peel and stick! Easy to remove and re-apply.
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Jorge is a morbidly shy Ecuadorian dishwasher toiling away in a shabby diner in Queens, New York. From his solitary kitchen corner, Jorge quietly attempts to forge a bond with Amy, the newly hired Chinese waitress, but even though she tries to reciprocate, the gulf that separates them may be too large. On the job he is continually tormented by a coworker, and at home, in his Harlem apartment, under the psychological control of his domineering "roommate," he battles his inner demons. Choking Man captures the feeling of! claustrophobia and almost literal asphyxiation newcomers to America experience as they struggle to find a place and purpose in this strange land.8x12in Print from a high-quality scan of the original.

Title: [Man choking another man]
Date Created/Published: c1914.
Medium: 1 photographic print.
Bookmark /2005685951/

Combined Shipping: 1 shipping charge, no matter how many photos you order!

Source: Library of Congress, Washington, D.C.WallMonkeys wall graphics are printed on the highest quality re-positionable, self-adhesive fabric paper. Each order is printed in-house and on-demand. WallMonkeys uses premium materials & state-of-the-art production technologies. Our white fabric material is superior to vinyl decals. You can literally see and feel the difference. Our wall graphics apply in minutes and won't damage your paint or leave any mess. PLEASE double check the size of the image you are ordering prior to clicking the 'ADD TO CART' button. ! Our graphics are offered in a variety of sizes and prices. WallMo nkeys are intended for indoor use only.

Printed on-demand in the United States Your order will ship within 3 business days, often sooner. Some orders require the full 3 days to allow dark colors and inks to fully dry prior to shipping. Quality is worth waiting an extra day for!

Removable and will not leave a mark on your walls.

'Fotolia' trademark will be removed when printed.

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Baby Einstein Take Along Tunes

• Large easy press button toggles through 7 high quality classical melodies
• Colorful lights dance across the screen to each song
• Colorful Baby Einstein caterpillar handle is easy for little hands to hold and take anywhere
• Off/Low/High volume switch
• Promotes auditory development and music appreciation

Experience joy and happiness at its purest in this life-affirming, universal celebration of the magic and innocence of Babies. Proving that if you surround your baby with love it doesn’t matter what culture you’re from or what child-rearing practices you follow. Babies travels the globe following four children from vastly different corners of the worldâ€"Ponijao from Namibia, Bayarjargal from Mongolia, Mari from Tokyo and Hattie from San Francisco. Sure to put a smile on your face and a warm feeling in your heart, it’s the film that critics and audiences agr! ee “could be the feel-good movie of the decade!” (Moviefone)The babies in Babies are four newborns, photographed in their natural habitat in distinctly different parts of the world. Hattie is in San Francisco, Mari's in Tokyo, Baryarjargal lives out in the Mongolian steppes, and Ponijao is born amid the simple straw huts of Namibia. In the course of less than 80 minutes, we're going to follow this quartet through their first year of life, a chronicle that director Thomas Balmes and producer Alain Chabat have likened to a nature documentary that happens to focus on humans. We can cut to the chase here and say that above and beyond any sociological weight this project might possess, this film's main method can be summed up in the words of David Byrne and Talking Heads from the song "Stay Up Late": "See him drink / From a bottle / See him eat / From a plate / Cute cute / As a button /Don't you want to make him stay up late." In short, babies are cute, babies are fun! ny, and a camera focused on a baby is going to catch the sudde! n mood s hifts and clunky crawling and all the other ingredients of home movies. Along the way, we may pause to notice the cultural differences between the locales, as the American baby seems elaborately nurtured (maybe baby yoga classes could wait a year?) and the African baby views a world just as full of wonder and newness as anywhere else, despite the material poverty of the locale. The Namibia and Mongolia sequences are certainly more arresting than the two urban sections, because their backdrops are so dramatically unusual to most Western eyes. If those differences are colorful, the movie nevertheless suggests that babies are more alike in their development than they are different. Is this enough to qualify as a movie? Well, even if Babies really is little more than a collection of sure-fire infant cuteness, it'll probably be enough for its target audience. --Robert Horton

Carandiru

• Director's commentary
• Deleted scenes
• The Making of Carandiru Featurette
• Historical footage

Acclaimed international filmmaker Hector Babenco dramatically captures the powerful intensity of this true story of hope and survival inside Brazil’s most notorious prison. Based on a true story of the day of the Carandiru massacre.The setting is grim, but Carandiru is easily one of Brazilian filmmaker Hector Babenco's most living, thriving works, with scores of powerful performances and an engaging style underscoring the cathartic power of storytelling. Based on a bestselling novel, Carandiru concerns an oncologist (Luiz Carlos Vasconcelos) who treats patients at Sao Paulo's House of Detention, a terrible place largely policed from within by longtime prisoners. The doctor is specifically interested in collecting blood samples for an HIV study, but the more prison! ers open up to him, the more compassionate and committed he becomes about their survival. Babenco's episodic structure gives Carandiru a dimension of memory and constant shots of energy, so that even the most horrifying events--drug-related murder, rape, revenge--can't drive this tale into abject misery. Based on actual events, the drama's climactic police raid on the prison (a reconstruction of a 1992 riot called the Carandiru Massacre) is a tour de force. --Tom Keogh