- Carroll Ballard (The Black Stallion, Fly Away Home) directs the exciting story of 12-year-old Xan (Alexander Michaletos), who decides to return the cheetah he raised from a cub to the wild instead of allowing pursuers to place it in captivity. Harsh South African landscapes, stalking lions, crocodiles, river rapids and a mysterious drifter (Eamonn Walker) who may intend to turn the big cat in for
Carroll Ballard (The Black Stallion, Fly Away Home) directs the exciting story of 12-year-old Xan (Alexander Michaletos), who decides to return the cheetah he raised from a cub to the wild instead of allowing pursuers to place it in captivity. Harsh South African landscapes, stalking lions, crocodiles, river rapids and a mysterious drifter (Eamonn Walker) who may intend to turn the big cat in for cash - all will test Xan's courage and resolve. Join him in this tale of growing up and letting go. It's ! a journey you won't want to miss.This African tale follow the rhythms of director Carroll Ballard's earlier films
The Black Stallion and
Fly Away Home, namely a child is drawn into the mysteries and magic of an animal. Xan (newcomer Alexander Michaletos) is a 12-year-old living in South Africa with his parents (Campbell Scott and Hope Davis, who appeared as a much different couple three years earlier in
The Secret Life of Dentists) when they find an abandoned baby cheetah. They bring it up as their own and name it the Swahili word for cheetah, Duma. After some time, the creature is too big to stay domesticated and Dad tells the boy they will have to journey back to Duma's home to set him free. A sickness makes the family pull up stakes and head to the city where Xan and Duma don't fare well. Xan must take Duma on his own to set him free. To tell more would be a crime. As with any Ballard film, the story is subtext, the visuals rule. First-time cinemato! grapher Werner Maritz fills the screen with the desert landsca! pe and i s able to capture the magnificent speed of the cheetah. Ballard's films seem to build on their own inertia, creating scenes that seem to be simply happening instead of scripted, although this often suffers in the balance of wonderment versus all-too-lucky occurrences. Based on the children's picture book/memoir
How It Was with Dooms by Xan and Carol Cawthra Hopcraft, this is a film worth seeking out, especially for families and kids above 5 years old.
--Doug Thomas
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