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John Charles Ryle (May 10, 1816 - June 10, 1900) was an evangelical Anglican clergyman and first Bishop of Liverpool. He was renowned for his powerful preaching and extensive tracts.John Charles Ryle (May 10, 1816 - June 10, 1900) was an evangelical Anglican clergyman and first Bishop of Liverpool. He was renowned for his powerful preaching and extensive tracts.Stearns, the CEO of World Vision, says Christians have a huge hole in their lives, an emptiness that comes from ignoring the plight of the poor. He details his own quest to fill this hole by leaving Lenox Inc., where he was CEO, to run a not-for-profit that helps feed, clothe, and educate child! ren worldwide. Unlike many evangelical Christians, Stearns believes poverty is explained by something more than choices, and lifting cultures from the systemic causes of poverty requires a multi-pronged approach. This accessible book will make it into the hands of evangelical Christians who may not pick up one of the many ABA books on issues of hunger, access to clean water, malaria and AIDS. Readers of Rick Warren, Jim Wallis and N.T. Wright will find Stearns synthesizing thoughts from them as well as from economists and missionaries.This is a passionate and motivating magnum opus from the leader of one of the most recognized aid organizations in the world. The book is a surprisingly no-holds-barred prophetic voice in the wilderness crying out to rich Americans, "Repent and help your world neighbors."(Mar. 10) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Many believers feel stunted in their Christian growth. We be! at ourselves up over our failures and, in the process, pull aw! ay from God because we subconsciously believe He tallies our defects and hangs His head in disappointment. In this newly repackaged edition—now with full appendix, study questions, and the author’s own epilogue, Â"Ragamuffin Ten Years Later,†Brennan Manning reminds us that nothing could be further from the truth. The Father beckons us to Himself with a Â"furious love†that burns brightly and constantly. Only when we truly embrace God’s grace can we bask in the joy of a gospel that enfolds the most needy of His flock—the Â"ragamuffins.â€
Brennan Manning wrote
The Ragamuffin Gospel "for the bedraggled, beat-up, and burnt-out," the marginalized folks to whom Jesus ministered: the children, the ill, the tax collectors, the women. In other words, the ragamuffins. Manning understands better than most that behind our facades of order and self-assurance are inadequacies that can find healing only in Jesus. While the powerful and religious elite challenged him, ! Jesus embraced and healed and fed the needs of the ragamuffins. Jesus delivered love, healing, and, most of all, grace.
Grace is defined as "the freely given and unmerited favor and love of God." But, as Manning points out, we have "twisted the gospel of grace into religious bondage and distorted the image of God into an eternal, small-minded bookkeeper." In reality, God offers us grace immeasurable. Brennan Manning gently encourages us to embrace that grace in the face of our greatest needs. And Manning certainly knows whereof he speaks, having taken a journey from priesthood and academic achievement through a collapse into alcoholism. Manning came face to face with his need, finally abandoning himself to grace. And he invites us now to join him in a life of grace.
Manning is without doubt one of the most eloquent writers on the subject of grace because he openly shares his own pain and struggle to help readers deal with failure and inadequacy. And! he sweetly challenges them to do the same. --Patricia Kl! ein< DIV>Could the gospel be lost in evangelical churches? In this book, J.D. Greear shows how moralism and legalism have often eclipsed the gospel, even in conservative churches. Gospel cuts through the superficiality of religion and reacquaints you with the revolutionary truth of God's gracious acceptance of us in Christ. The gospel is the power of God, and the only true source of joy, freedom, radical generosity, and audacious faith. The gospel produces in us what religion never could: a heart that desires God.
The book’s core is a “gospel prayer†by which you can saturate yourself in the gospel daily. Dwelling on the gospel will release in you new depths of passion for God and take you to new heights of obedience to Him. Gospel gives you an applicable, exciting vision of how God will use you to bring His healing to the world.
The first generation of Christians were not popular. They were ridiculed, persecuted, yet according to Acts 17:6-7, they "turned ! the world upside down." As a result, their message was communicated louder and clearer than any message before or since. Even with today's social medias, big-name celebrities, and shiny evangelism techniques that add glitz and glamour to the gospel, today's Christians fail to communicate as effectively as the first followers of Christ. Simply put, the early church turned the world upside down, but today's church has been turned upside down by the world.Contemporary evangelicals have built a 'salvation culture' but not a 'gospel culture.' Evangelicals have reduced the gospel to the message of personal salvation. This book makes a plea for us to recover the old gospel as that which is still new and still fresh. The book stands on four arguments: that the gospel is defined by the apostles in 1 Corinthians 15 as the completion of the Story of Israel in the saving Story of Jesus; that the gospel is found in the Four Gospels; that the gospel was preached by Jesus; and that the se! rmons in the Book of Acts are the best example of gospeling in! the New Testament. The King Jesus Gospel ends with practical suggestions about evangelism and about building a gospel culture.
The birth of Jesus has been well chronicled, as have his glorious teachings, acts, and divine sacrifice after his thirtieth birthday. But no one knows about the early life of the Son of God, the missing years -- except Biff, the Messiah's best bud, who has been resurrected to tell the story in the divinely hilarious yet heartfelt work "reminiscent of Vonnegut and Douglas Adams" (Philadelphia Inquirer).
Verily, the story Biff has to tell is a miraculous one, filled with remarkable journeys, magic, healings, kung fu, corpse reanimations, demons, and hot babes. Even the considerable wiles and devotion of the Savior's pal may not be enough to divert Joshua from his tragic destiny. But there's no one who loves Josh more -- except maybe "Maggie," Mary of Magdala -- and Biff isn't about to let his extraordinary pal suffer and ascend without a fight! .
While the Bible may be the word of God, transcribed by divinely inspired men, it does not provide a full (or even partial) account of the life of Jesus Christ. Lucky for us that Christopher Moore presents a funny, lighthearted satire of the life of Christ--from his childhood days up to his crucifixion--in
Lamb: The Gospel According to Biff, Christ's Childhood Pal. This clever novel is surely blasphemy to some, but to others it's a coming-of-age story of the highest order.
Joshua (a.k.a. Jesus) knows he is unique and quite alone in his calling, but what exactly does his Father want of him? Taking liberties with ancient history, Moore works up an adventure tale as Biff and Joshua seek out the three wise men so that Joshua can better understand what he is supposed to do as Messiah. Biff, a capable sinner, tags along and gives Joshua ample opportunities to know the failings and weaknesses of being truly human. With a wit similar to Douglas Adams, Moore pulls n! o punches: a young Biff has the hots for Joshua's mom, Mary, w! hich doe sn't amuse Josh much: "Don't let anyone ever tell you that the Prince of Peace never struck anyone." And the origin of the Easter Bunny is explained as a drunken Jesus gushes his affection for bunnies, declaring, "Henceforth and from now on, I decree that whenever something bad happens to me, there shall be bunnies around."
One small problem with the narrative is that Biff and Joshua often do not have distinct voices. A larger difficulty is that as the tone becomes more somber with Joshua's life drawing to its inevitable close, the one-liners, though not as numerous, seem forced. True to form, Lamb keeps the story of Joshua light, even after its darkest moments. --Michael Ferch
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