- DISAPPEARANCE OF ALICE CREED, THE (DVD MOVIE)
On a suburban street, two masked men seize a young woman. They bind and gag her and take her to an abandoned, soundproofed apartment. She is Alice Creed (Gemma Arterton), daughter of a millionaire. Her kidnappers, the coldly efficient Vic (Eddie Marsan) and his younger accomplice Danny (Martin Compston), have worked out a meticulous plan. But Alice is not going to play the perfect victim â€" she’s not giving in without a fight. In a tense power-play of greed, duplicity and survival we discover that sometimes disappearances can be deceptive…The British thriller
The Disappearance of Alice Creed is a taut exercise in psychological manipulation, driven by three forceful performances, most notably actress Gemma Arteton (
Clash of the Titans) as the titular abductee. On the surface,
Disappearance seems to be cut from familiar ! cloth: ex-cons Eddie Marsan (
Sherlock Holmes) and Martin Compston plot out and then execute the kidnapping of Arteton, the daughter of a wealthy businessman, for a sizable ransom. But as the minutes tick by in their dreary holding cell of a flat, relationships develop in unexpected ways, as do shifts in allegiances and motivations. To reveal these seismic changes would be to unleash spoilers of epic proportions, but suffice it to say that few will have expected the film's frenzied conclusion. Directed by first-timer J Blakeson with an eye towards pacing and atmosphere,
The Disappearance of Alice Creed should please fans of adult suspense pictures with its smart scripting (by Blakeson) and fearless turns by its cast, especially Arteton in a role that requires her to play, by turns, victim and perpetrator; the DVD includes commentary by Blakeson, who discusses his influences (among them,
Alien, interestingly enough), as well as two extended scenes with co! mmentary and a collection of comic outtakes. A five-minute sto! ryboard comparison, which shows preproduction sketches of the opening alongside the finished product, and the stateside trailer round out the extras.
--Paul Gaita
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