Monday, November 21, 2011

TCM Spotlight: Esther Williams, Volume One (Bathing Beauty / Easy to Wed / On an Island with You / Neptune's Daughter / Dangerous When Wet)

  • Five films that make a splash from Hollywood s swimming superstar! Bathing Beauty (1944): Esther Williams made a big splash as a Bathing Beauty. Suddenly a new star and a new genre of moviemaking was born. Rambunctious funnyman Red Skelton joins that new star in this buoyant (literally) comedy about a lovesick songwriter who enrolls in a women s college to woo his estranged swimming-teacher wife.
No Description Available.
Genre: Feature Film-Drama
Rating: R
Release Date: 6-NOV-2001
Media Type: DVDAlthough it was unfortunately ignored during its brief theatrical release, this sumptuously seductive production is that rarest of cinematic breeds, the (barely) respectable guilty pleasure. Combining historical fact with hysterical anachronisms of language and mannerism, it's been tailored for maximum contemporary appeal but maintains a lush, romantic feel for! its factual 16th-century tale of Venetian love, lust, and political repression. Catherine McCormack (Mel Gibson's ill-fated bride in Braveheart) delivers a star-making performance as the "dangerous beauty" who becomes a skillful courtesan to pursue her forbidden love for a dashing Venetian senator (Rufus Sewell). It's all rather silly in a high-toned fashion, and the film turns dour when the church intervenes with a Scarlet Letter-like papal inquest. But the movie's joyously ribald vitality is utterly irresistible, and the casting of McCormack with Jaqueline Bisset (as her mother and courtesan mentor) is a stroke of pure genius. Merchant-Ivory would've made a smarter film from this material, but it probably wouldn't be nearly as entertaining. --Jeff Shannon Although it was unfortunately ignored during its brief theatrical release, this sumptuously seductive production is that rarest of cinematic breeds, the (barely) respectable guilty pleasure. Combini! ng historical fact with hysterical anachronisms of language an! d manner ism, it's been tailored for maximum contemporary appeal but maintains a lush, romantic feel for its factual 16th-century tale of Venetian love, lust, and political repression. Catherine McCormack (Mel Gibson's ill-fated bride in Braveheart) delivers a star-making performance as the "dangerous beauty" who becomes a skillful courtesan to pursue her forbidden love for a dashing Venetian senator (Rufus Sewell). It's all rather silly in a high-toned fashion, and the film turns dour when the church intervenes with a Scarlet Letter-like papal inquest. But the movie's joyously ribald vitality is utterly irresistible, and the casting of McCormack with Jaqueline Bisset (as her mother and courtesan mentor) is a stroke of pure genius. Merchant-Ivory would've made a smarter film from this material, but it probably wouldn't be nearly as entertaining. --Jeff ShannonVincent Perez (The Crow, City of Angels) and Rachel Weisz (Stealing Beauty) star wit! h Ian McKellen and Kathy Bates in this passionate film about two star-crossed lovers. Amy Foster, considered a simpleton by some and a witch by others, is accused of conjuring the fierce storm which causes a shipwreck. Only one man survives and is immediately drawn to strange Amy. A haunting tale of love and loss, Swept From the Sea is "a superb, epic and moving romance". Brilliantly directed and performed. "Four stars." - Paul Wunder, WBAI RADIO Based on the Joseph Conrad story "Amy Foster," this swirlingly romantic melodrama tells the story of a Polish sailor (Vincent Perez) shipwrecked and washed ashore on the English coast in the 19th century. Found by a servant girl, Amy (Rachel Weisz), who is a village outcast, he is considered retarded because no one can understand what he says. But slowly, through Amy's love and the doctor's tutelage, the sailor learns enough English to decide he wants to make an honest woman out of Amy. Which doesn't sit well with th! e disapproving villagers, who don't like Amy. Even the doctor,! who has a fondness for the sailor, has a blind spot when it comes to the servant girl. Strong performances and gritty period settings lift this film above bodice-ripper status to something richer. --Marshall FineKAMA SUTRA - DVD MovieIf you're looking for a deep, intelligently romantic movie with complex characters and a richly rewarding plot, don't bother with Kama Sutra: A Tale of Love. On the other hand, if you're feeling sexy and in the mood for a lush, seductive, and visually stunning film set in 16th-century India, this one will please you like the best foreplay you've ever experienced. Or it will relax you like a full treatment at a pampering spa--either way, you're gonna feel pretty fantastic. Okay, okay... maybe we're getting a little carried away, but there's no denying that director Mira Nair (best known for her acclaimed film Salaam Bombay!) has crafted a sumptuous film for the eyes if not the head. Its melodramatic plot is involving enough to eleva! te the movie high above soft-core adult fare, so you won't feel guilty after watching it.

Kama Sutra is the story of a young woman named Maya (the stunning Indira Varma) who has always been lower on the social scale than her well-born friend Tara (Sarita Choudhury), and has always lived in Tara's shadow, wearing her used clothes and being made to feel inferior. When Tara is betrothed to the handsome King Raj Singh (Naveen Andrews, from The English Patient), Tara sneaks into the king's tent on the eve of the wedding and seduces him. Later, after being trained to master the Kama Sutra's many "lessons of love," Maya will be the king's courtesan, and emotions will run high between the former best friends. But the plot is of secondary importance here (a fact that resulted in many mixed reviews), and so Kama Sutra works best as a colorful and irresistibly sexy story that is worth seeing just for the startling beauty of the film and its cast. --Jeff S! hannon No Description Available.
Genre: Feature ! Film-Dra ma
Rating: NR
Release Date: 17-JUL-2007
Media Type: DVD

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